Brown, a triple-threat as a singer/dancer/actor, has co-written on the majority of F.A.M.E, and has collaborated with a wide range of his peers including: Justin Bieber, Lil Wayne, Wiz Khalifa, Ludacris and more. On this album some of the songs are more grown-up, says Chris in describing the album. The official track list to Chris Brown's F.A.M.E. Album has been revealed, released early Tuesday morning February 22. The track list was later confirmed by a member of Chris Brown's marketing team. The album is already available for download on amazon and will be available for pre-order on itunes March 1st. Chris Brown - FAME FULL ALBUM DOWNLOAD GAmerGirl777. Chris Brown - Royalty (Deluxe version) (album review) Robert Anton. Chris Brown - Fortune Deluxe.

31 October 2019, 13:51

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From Chris Brown to Indigo, we have you covered ! We're giving you the chance to vote for your favourite Chris Brown album ever...

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Chris Brown has been a signature figure for a new wave of R&B and Hip-Hop. The singer first came on the scene in 2004, when he signed with Jive Records.

Breezy's first blew fans away with his debut single was 'Run It' in 2005. The song appeared on his debut studio album, Chris Brown.

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Since then, the award winning artist has built a roster of albums. But, which one is your favourite ? Cast your vote below 👇

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Chris Brown's career was trending sharply downward. The singer’s self-titled debut went double platinum. Exclusive went single platinum. 2009’s Graffiti fell well short of gold-sales status, though it was nominated for a Grammy in the category of Best Contemporary R&B Album: far and away the worst disc to receive the honor. Rather than vanish and position himself for a spectacle-like comeback, Brown wisely continued to release new music through 2010. The offhandedly belligerent “Deuces” hit that summer and topped the R&B/Hip-Hop chart, while Brown also appeared on numerous singles headlined by others, including Twista’s Top Ten “Make a Movie.” By the time F.A.M.E. was released in March 2011, the album’s variety of styles was already known. A total of five songs, including the slinking pop-R&B of “Deuces,” had hit various singles charts. The bleepy rap track “Look at Me Now,” where Brown displays some competence as an MC but is devoured by Lil Wayne and Busta Rhymes' rapid-fire verses, was one of them. The celebratory “Yeah 3x” and the anthemic “Beautiful People,” a pair of club singles, nodded to Eurodance. And then there was the smoothly percussive “No BS,” a slow jam with chivalrous sweet nothings like “I’m-a leave it in when we do it” and “Don’t you be on that bullshit.” Despite the success of some of these pre-album singles, they don’t represent the best of F.A.M.E. On the earnest ballad “Up to You,” the Michael Jackson/SWV-sampling “She Ain’t You,” and the remorseful “All Back” (written and produced by Timothy Bloom, one to watch), Brown plays to his strength as a boyish, romantic pop-R&B singer, while “Say It with Me” shows that he can handle harder grooves that are more R&B than pop. This all makes F.A.M.E. the equal of Forever, if not slightly better, and it hints that Brown’s best is yet to come.

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